Friday, August 26, 2011



Chicano Studies 312:  Mediterranean and Pre-Columbian Myths in Latin American Literature
Dr. Roberto Cantú
Spring 2016
Class Meetings: King Hall B-2006, TR 11:40 a.m.-1:20 p.m.
Office: KH B3023.  Hours: TR 10:15-11:35 a.m. 
Telephone:  (323) 343-2195 (with voice mail)





Announcements


2016 Conference on Américo Paredes
Music Hall, May 6-7


I.  Required Readings*
1.     Carpentier, Alejo. The Lost Steps (Univ. of Minnesota Press, 1953).
2.     Castellanos,  Rosario. The Book of Lamentations (Penguin, 1962).
3.     Fuentes, Carlos. Where the Air is Clear (Dalkey Archive Press, 1958).
4.     Vargas Llosa, Mario.  The Storyteller (Picador, 2001). 

*Also available at the Student  Book Mart,  1725 Eastern Avenue  (call [323] 262-5511).


      
II.  Recommended Readings
1.  Jas Elsner, Imperial Rome and Christian Triumph (Oxford University Press, 1998);
2.  David Freidel and Linda Schele, Maya Cosmos:  Three Thousand Years on the Shaman's Path      (William Morrow, 1993);
3.  Edith Hamilton, Greek Mythology (Any edition);
4.  Gerald Martin, Journeys through the Labyrinth:  Latin American Fiction in the Twentieth a Century (Verso, 1989).
5.  Miguel León-Portilla, Aztec Thought and Culture (Oklahoma Press, 1968);
5.   Taube, Karl. Aztec and Maya Myths (University of Texas at Austin, 1993.
6.   Tedlock, Dennis (trans.),  Popol Vuh: The Definitive Edition of The Mayan Book of  the Dawn of  Life and The Glories of Gods and Kings (1996).
7.   Woodford, Susan.  Images of Myths in Classical Antiquity.  Cambridge:  Cambridge University Press, 2003.


  
The Aegis of Athena 


III.  Course Description and Objectives
     The Ancients and Moderns theme provides an integrated introduction to the interaction of the principal civilizations of the Mediterranean basin—Mesopotamia, Egypt, Greece, and Rome—to form, next to pre-Columbian civilizations, the “Classical Tradition” and the significance of that tradition for the understanding of Western, and Islamic Civilizations in general and the Civilizations of the Americas in particular. Comparisons will be made with East Asian Civilization. Two of the world’s six pristine civilizations developed in the Americas: the Mesoamerican Civilization (Mexico and Central America), and the Chavin Civilization (Perú); the other world pristine civilizations are the Egyptian, Sumerian, Indus, and Shang (China).
     This course examines the ways in which Latin American writers incorporate in their novels the ancient myths derived from pre-Columbian civilizations (with emphasis, in this course, on Mesoamerica and present-day Perú), and the Mediterranean heritage (mainly Greek and Roman). The course’s readings in Latin American literature in translation constitute the instructional setting for the analysis of how Mediterranean and pre-Columbian myths are appropriated and redefined in novels as literary responses to the contradiction between an assumed national tradition and the modern forces leading to secularization, industrial development, and globalization. The required readings include four novels by prominent Latin American writers:  Alejo Carpentier (Cuba), Rosario Castellanos (México), Mario Vargas Llosa (Perú), and Carlos Fuentes (México). The analysis of course readings will be focused on levels of formal or rhetorical features found in the texts under discussion. In addition, the course provides students with a critical approach to textual analysis, generic conventions and a comprehensive examination of the mythical and ideological configurations of identity formation among emerging ethnic groups in Latin America. Moreover, students will understand how to identify the art, architecture, and science of Pre-Columbian America. Lastly, students will be able to trace the development of the Renaissance and scientific revolutions in Europe, and how they had an impact on European colonial rule and its relationship with American Indian societies.
     
The final grade will include plus/minus and will be based on the following assignments:
·         An essay midterm examination (30 %).
·         A final essay examination (30% of course grade).
·         A critical essay (minimum 8 typed pages, double-spaced, 12 point, Times New Roman, due on June 2, 30% of grade) based on one required reading in this course (your choice), and two scholarly references (articles or book chapters) related to the author and novel of your choice. The grading emphasis in this paper will be on the quality of composition, particularly in areas concerning analysis and effective use of references.
·         Active and meaningful participation in class discussions (10%).


Note: Cal. State L.A. will be converting from Quarters to Semesters in Fall 2016. All students who are going to graduate after semesters begin will be assisted in creating an Individualized Advisement Plan(IAP) that will make seamless their academic transition from the quarter to the semester curriculum. Please contact your advisor for further information and assistance. Turn off your cell phones upon entering the classroom. No texting allowed during class lectures and discussions.  If you are using a laptop, sit in the front of the classroom (no surfing the web while in class). Class attendance is mandatory. After two unexcused absences, your final grade will be affected by one letter grade. If you leave early, it will be considered an absence (unless previously authorized). No late work and no electronic attachments will be accepted. Consult your copy of the Schedule of Classes to review the possible consequences of plagiarism. This course is in full compliance with the Americans with Disabilities Act (ADA).






Coatlicue (Earth goddess), Aztec, 15th century.


III. Course Readings:
March 29       The Lost Steps, pp. 3-35.
March 31      César Chávez Day. University Closed. Read The Lost Steps, pp. 36-150.

April 5          The Lost Steps, pp. 151-200.
April 7         The Lost Steps, pp. 200-278.

April 12      The Lost Steps: class discussion.
April 14      Where the Air is Clear, Part I.

April 19     Where the Air is Clear, Part II; 
April 21     Where the Air is Clear, Part III;  

April 26     Where the Air is Clear, discussion & preparation for the midterm.
April 28     MIDTERM

May 3      The Book of Lamentations; Introduction by Alma Guillermoprieto, Afterword by Esther
Allen, and The Book of Lamentations, pp. 1-50;
May 5      The Book of Lamentations, pp. 50-70;

May 10    The Book of Lamentations, pp. 71-116; 
May 12   The Book of Lamentations, pp. 117-292;    

May 17   The Book of Lamentations, pp. 293-381. 
 May 19  The Storyteller, pp. 3-36. 

May 24   The Storyteller, pp. 37-108. 
May 26   The Storyteller, pp. 109-145. 

May 31   The Storyteller, pp. 146-234.  
June 2      The Storyteller, pp. 235-246. Deadline for critical essay.


Final Examination: Tuesday, June 7, 10:45 a.m.-1:15 p.m. Blue book and pen only (blue or black ink) No pencils.  






The Parthenon 
Athens, Greece






Coyolxauhqui (Moon goddess), Aztec, 15th century. 






Cuauhxicalli Eagle, Aztec, 15th century.



Biography of Carlos Fuentes




Clorinda Matto de Turner
Documentary






Interview with Mario Vargas Llosa
after receiving the Nobel Prize in Literature 2010




"Primera Elegía"
by
Rosario Castellanos